hide from any potential of 'changing traffic signals toward RED.'

 There are observables in that work which is my vocation, calling: making text=> Versification is atop the apex of writs, usually or commonly showing assonance as rhyme and alliteration, which seems to be a way for me to tighten a sense of thought-completion; beneath that tip-top comes prosaics, which usually have degrees-identifiable of thought organization, and the prose pieces can evolve from a looser, close to flight-of-ideas verbiage which could be termed 'screeds' as having a 'mad mad quality' in the several senses of the term, but which

THOUGH CRAZY IN A BLATANT SENSE REVEAL SOME DEEP PROCESS OF EMOTIVE-COGNITION OR PRE-COGNITION WHICH-- WHILE DIFFICULT FOR ME TO PERUSE AFTER-THE-FACT-- ACT AS UR-THESES OR ELEMENTS-OF-LATER-GESTALT WHICH WARRANT MY FACING-- USUALLY WITH DISCOMFORT, AND IF NOT 'CLOSED' COULD RESULT IN PUBLIC NOTICE, THEN THE VARIOUS FORMS OF INCARCERATION WHICH THE 'CRAZY PEOPLE' GET;

the main gist is to avoid such 'public notice'-- hide from any potential of 'changing traffic signals toward RED.'